A new Christmas carol, in a traditional style, including a soprano descant for the last verse.
The words are an early 20th century English translation of a much older Polish lyric “W Żłobie Leży”, and the melody lightly echoes a more famous version of a translation “Infant Holy, Infant Lowly”.
Tell, O shepherds, tell the story Of the wonders ye have seen; Of the King of grace and glory Cradled in a manger mean; Of th’incarnate Word most holy, Lying In the stall so lowly. Cum Maria Virgine.
How ye heard the angels singing Canticles of holy mirth; Ev’ry hill and vale a-ringing With the chorus ‘Peace on earth Peace and love end full salvation Now is come to all creation. Christus natus hodie.
He whom Seer and Prophet hoary, Long fortold in time afore, Lo, is here in fullest glory, To abide for evermore. Holy Babe we bow before Thee. And on bended knee adore Thee. Reddens laudes Domino.
A dramatic a capella setting of Catherine Winkworth’s English lyric “Redeemer of the Nations, Come”.
Redeemer of the nations, come! Ransom of earth, here make Thy home! Bright Sun, oh dart Thy flame to earth, For so shall God in Christ have birth!
Thou comest from Thy kingly throne, O Son of God, the Virgin’s Son! Thou Hero of a twofold race, Dost walk in might earth’s darkest place.
Thou stoopest once to suffer here, Risest o’er the starry sphere; Hell’s gates at Thy descent were riven, Ere thy ascent to highest Heaven.
How bright Thy lowly manger beams! Down earth’s dark vale its glory streams, The splendour of Thy natal night Shines through all Time in deathless light.
Words: Veni, Redemptor Gentium, St. Ambrose; Komm Heidenheiland, Lösegeld, German trans. by Johann Franck; English trans. by Catherine Winkworth, 1865. Thanks as ever to Hymns and Carols of Christmas.
Based on my solo/multitracked YouTube version — full choir, but similarly cinematic-medieval feel!
The words and melody of ‘Christe redemptor omnium’ are hundreds of years old. Here is an arrangement of the Christmas plainchant hymn for SATB choir divisi, the effect warm and full, building over the sevenfold structure of the piece.
We sang the original many times in Schola Cantorum and I fell in love with it.
Words:
Christe, redemptor omnium, ex Patre, Patris unice, solus ante principium natus ineffabiliter,
Tu lumen, tu splendor Patris, tu spes perennis omnium, intende quas fundunt preces tui per orbem servuli.
Salutis auctor, recole quod nostri quondam corporis, ex illibata Virgine nascendo, formam sumpseris.
Hic praesens testatur dies, currens per anni circulum, quod a solus sede Patris mundi salus adveneris;
Hunc caelum, terra, hunc mare, hunc omne quod in eis est, auctorem adventus tui laudat exsultans cantico.
Nos quoque, qui sancto tuo redempti sumus sanguine, ob diem natalis tui hymnum novum concinimus.
Jesu, tibi sit gloria, qui natus es de Virgine, cum Patre et almo Spiritu, in sempiterna saecula. Amen.
Rhymed English translation by John Mason Neale (1818-1866)
O Christ, the Father’s only Son, whose death for all redemption won, before the worlds, of God most high, begotten all ineffably.
The Father’s Light and Splendour Thou their endless Hope to Thee that bow: accept the prayers and praise today that through the world Thy servants pay.
Salvation’s author, call to mind how, taking the form of humankind, born of a Virgin undefiled, Thou in man’s flesh becamest a Child.
Thus testifies the present day Through every year in long array, that Thou, salvation’s source alone proceedest from the Father’s Throne.
Whence sky, and stars, and sea’s abyss, and earth, and all that therein is, shall still, with laud and carol meet, the Author of thine Advent greet.
And we who, by Thy precious Blood from sin redeemed, are marked for God, on this, the day that saw Thy Birth, sing the new song of ransomed earth.
All honour, laud, and glory be, O Iesu, Virgin-born, to Thee; whom with the Father we adore, and Holy Ghost forevermore. Amen.
The wind has a language / Letitia Elizabeth LandonSleep, sleep, my treasure / E. Nesbitt *i miss out a cool chord in the 2nd verse, oops*Lullaby for an infant chief / Walter Scott
Last month I went on a choir course, singing a whole lot of Palestrina in an Italian Palazzo for a week, as you do. If you see me, ask me more, because it was an amazing time.
Here we are:
We also had a little time every day to rehearse things on our own in small groups, and the result really was like a movie or an imagining of what musicians get up — you’d wander around the castle and literally hear five or so different songs emanating from the various rooms. Same in the morning hearing people doing their warmups in beautiful voices. I met some very lovely lasses who kindly sang my pieces, and we did a couple of scratch performance of the entire of As the morning star!
All of which definitely got me thinking again about choral music, both singing it and writing it. Something I wish to do more of! Watch this space, maybe?! At any rate after… EDINBURGH, which is fast coming up.
And also, conveniently fitting into the couple weeks between Italy and Edinburgh, I was thrilled to be quite out of the blue asked to write music for a game. I’m excited partly because of the type of music I get to write, and also because this is a paying gig off the back of my free RPG music packs on itch – feels like that’s the absolute ideal outcome, and it would be fab if it happened again. So, going to be working on that: music that I probably won’t be able to share or link to the finished game for a while, but I will let you all know when it does come out!
I took part in the latest 2 hour album challenge on one of the hottest days of the year. I wasn’t going to do anything at all, but then I figured that while I couldn’t standing sitting with the heat of my computer filling the room and headphones, I might do something with a lot of live singing.
And, as it turns out, cardboard box percussion. I found this broadside ballad — a very big fish story indeed! — on the Bodleian’s website, as part of a huge project collecting ’em.
I’m a couple years late for the sea shanty trend (and not sure this really qualifies as a shanty), but here’s “Thundering Large Sea Snake” from the MONSTROUS album:
You can get the whole album here with 60 more tracks, pay what you want, and donate to rescuing cats.
Watch this song being made (when the camera wasn’t overheating)
To celebrate that week, I worked on or finished up a little set of RPG tracks in my most favourite, most relaxed style. I mean I worked on all but 3-4 of them in a very relaxed, indulgent way, just playing back and back via Logic and adding things where I thought they should go. Honestly that’s something I do fairly often, but in usual circumstances I’d likely also start with a sketch or something a bit more intentional — often more efficient, but I definitely still ended up with some fun stuff!
Also I’ve been using and enjoying the Digital Sound Factory sounds — I got an upgrade to the Kontakt version of their Proteus 1-2-3/Orbit/Planet Phatt set and it really was worth it! …though I was happily loading up enough instruments that I did realise that also each of them is incredibly lightweight (kilobytes), multiple instances of Komplete Kontrol are not.
Anyway.
Above is the set to listen to on YouTube.
And here it is to get on itch.io to add to your game!
And here’s some of the cover/concept art that I generated with craiyon by asking it to mimic Amano’s style!