Author Archives: sara-garrard

‘Twas in the Moon of Wintertime (The Huron Carol)

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SATB unaccompanied | 2m45 | Early-intermediate

live concert recording, Christmas 2021

Thought to be Canada’s oldest Christmas carol. And recently, the English words have also come into the pubic domain.

This arrangement has become a favourite in our choir and we have performed it a few times.

English words Jesse Edgar Middleton. Original words and music Jean de Brébeuf.

Preview:

Tell, O Shepherds

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SATB | Duration: 2m10 | Difficulty: Moderate

live performance, Sing Clifton Christmas 2023

A new Christmas carol, in a traditional style, including a soprano descant for the last verse.

The words are an early 20th century English translation of a much older Polish lyric “W Żłobie Leży”, and the melody lightly echoes a more famous version of a translation “Infant Holy, Infant Lowly”.

Tell, O shepherds, tell the story
Of the wonders ye have seen;
Of the King of grace and glory
Cradled in a manger mean;
Of th’incarnate Word most holy,
Lying In the stall so lowly.
Cum Maria Virgine.

How ye heard the angels singing
Canticles of holy mirth;
Ev’ry hill and vale a-ringing
With the chorus ‘Peace on earth
Peace and love end full salvation
Now is come to all creation.
Christus natus hodie.

He whom Seer and Prophet hoary,
Long fortold in time afore,
Lo, is here in fullest glory,
To abide for evermore.
Holy Babe we bow before Thee.
And on bended knee adore Thee.
Reddens laudes Domino.

Redeemer of the Nations Come (choir arrangement)

SATB, some div, optional percussion | 2m30 | Early intermediate

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A dramatic a capella setting of Catherine Winkworth’s English lyric “Redeemer of the Nations, Come”.

Redeemer of the nations, come!
Ransom of earth, here make Thy home!
Bright Sun, oh dart Thy flame to earth,
For so shall God in Christ have birth!

Thou comest from Thy kingly throne,
O Son of God, the Virgin’s Son!
Thou Hero of a twofold race,
Dost walk in might earth’s darkest place.

Thou stoopest once to suffer here,
Risest o’er the starry sphere;
Hell’s gates at Thy descent were riven,
Ere thy ascent to highest Heaven.

How bright Thy lowly manger beams!
Down earth’s dark vale its glory streams,
The splendour of Thy natal night
Shines through all Time in deathless light.

Words: Veni, Redemptor Gentium, St. Ambrose; Komm Heidenheiland, Lösegeld, German trans. by Johann Franck; English trans. by Catherine Winkworth, 1865. Thanks as ever to Hymns and Carols of Christmas.

Based on my solo/multitracked YouTube version — full choir, but similarly cinematic-medieval feel!

Christe Redemptor Omnium (choral arrangement)

The words and melody of ‘Christe redemptor omnium’ are hundreds of years old. Here is an arrangement of the Christmas plainchant hymn for SATB choir divisi, the effect warm and full, building over the sevenfold structure of the piece.

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SATB unaccompanied, some divisi | Duration: 4m15 | Difficulty: Moderate (flexible, sustained singing)

We sang the original many times in Schola Cantorum and I fell in love with it.

Words:

  1. Christe, redemptor omnium,
    ex Patre, Patris unice,
    solus ante principium
    natus ineffabiliter,
  2. Tu lumen, tu splendor Patris,
    tu spes perennis omnium,
    intende quas fundunt preces
    tui per orbem servuli.
  3. Salutis auctor, recole
    quod nostri quondam corporis,
    ex illibata Virgine
    nascendo, formam sumpseris.
  4. Hic praesens testatur dies,
    currens per anni circulum,
    quod a solus sede Patris
    mundi salus adveneris;
  5. Hunc caelum, terra, hunc mare,
    hunc omne quod in eis est,
    auctorem adventus tui
    laudat exsultans cantico.
  6. Nos quoque, qui sancto tuo
    redempti sumus sanguine,
    ob diem natalis tui
    hymnum novum concinimus.
  7. Jesu, tibi sit gloria,
    qui natus es de Virgine,
    cum Patre et almo Spiritu,
    in sempiterna saecula. Amen.

Rhymed English translation by
John Mason Neale (1818-1866)

  1. O Christ, the Father’s only Son,
    whose death for all redemption won,
    before the worlds, of God most high,
    begotten all ineffably.
  2. The Father’s Light and Splendour Thou
    their endless Hope to Thee that bow:
    accept the prayers and praise today
    that through the world Thy servants pay.
  3. Salvation’s author, call to mind
    how, taking the form of humankind,
    born of a Virgin undefiled,
    Thou in man’s flesh becamest a Child.
  4. Thus testifies the present day
    Through every year in long array,
    that Thou, salvation’s source alone
    proceedest from the Father’s Throne.
  5. Whence sky, and stars, and sea’s abyss,
    and earth, and all that therein is,
    shall still, with laud and carol meet,
    the Author of thine Advent greet.
  6. And we who, by Thy precious Blood
    from sin redeemed, are marked for God,
    on this, the day that saw Thy Birth,
    sing the new song of ransomed earth.
  7. All honour, laud, and glory be,
    O Iesu, Virgin-born, to Thee;
    whom with the Father we adore,
    and Holy Ghost forevermore. Amen.

Personal updates Aug 2022

Last month I went on a choir course, singing a whole lot of Palestrina in an Italian Palazzo for a week, as you do. If you see me, ask me more, because it was an amazing time.

Here we are:

We also had a little time every day to rehearse things on our own in small groups, and the result really was like a movie or an imagining of what musicians get up — you’d wander around the castle and literally hear five or so different songs emanating from the various rooms. Same in the morning hearing people doing their warmups in beautiful voices. I met some very lovely lasses who kindly sang my pieces, and we did a couple of scratch performance of the entire of As the morning star!

All of which definitely got me thinking again about choral music, both singing it and writing it. Something I wish to do more of! Watch this space, maybe?! At any rate after… EDINBURGH, which is fast coming up.

And also, conveniently fitting into the couple weeks between Italy and Edinburgh, I was thrilled to be quite out of the blue asked to write music for a game. I’m excited partly because of the type of music I get to write, and also because this is a paying gig off the back of my free RPG music packs on itch – feels like that’s the absolute ideal outcome, and it would be fab if it happened again. So, going to be working on that: music that I probably won’t be able to share or link to the finished game for a while, but I will let you all know when it does come out!

Secret Songs once again

Very live, work-tape recordings of a couple new songs, and a bunch of old ones from flicking through my chord sheets~

  1. A Song’s Echo
  2. Which is the Wind
  3. Roadside Rest
  4. Sun of my Soul
  5. The Stars are with the Voyager
  6. The Silver Tassie / Song before parting
  7. Romance / I saw a ship a-sailing
  8. Rocked in the Cradle of the Deep

Thundering Large Sea Snake

I took part in the latest 2 hour album challenge on one of the hottest days of the year. I wasn’t going to do anything at all, but then I figured that while I couldn’t standing sitting with the heat of my computer filling the room and headphones, I might do something with a lot of live singing.

And, as it turns out, cardboard box percussion. I found this broadside ballad — a very big fish story indeed! — on the Bodleian’s website, as part of a huge project collecting ’em.

I’m a couple years late for the sea shanty trend (and not sure this really qualifies as a shanty), but here’s “Thundering Large Sea Snake” from the MONSTROUS album:

You can get the whole album here with 60 more tracks, pay what you want, and donate to rescuing cats.

Watch this song being made (when the camera wasn’t overheating)

A Tale for the Journey…

Tracks 1-5
Tracks 6-10

It was my birthday at the end of June!

To celebrate that week, I worked on or finished up a little set of RPG tracks in my most favourite, most relaxed style. I mean I worked on all but 3-4 of them in a very relaxed, indulgent way, just playing back and back via Logic and adding things where I thought they should go. Honestly that’s something I do fairly often, but in usual circumstances I’d likely also start with a sketch or something a bit more intentional — often more efficient, but I definitely still ended up with some fun stuff!

Also I’ve been using and enjoying the Digital Sound Factory sounds — I got an upgrade to the Kontakt version of their Proteus 1-2-3/Orbit/Planet Phatt set and it really was worth it! …though I was happily loading up enough instruments that I did realise that also each of them is incredibly lightweight (kilobytes), multiple instances of Komplete Kontrol are not.

Anyway.

Above is the set to listen to on YouTube.

And here it is to get on itch.io to add to your game!

And here’s some of the cover/concept art that I generated with craiyon by asking it to mimic Amano’s style!

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