I dream of walking through an empty house, frantically searching every room for something, for you, and you’re not there.
Back then, when I had really lost you, it was a waking dream: you, in the flutter of a curtain or the wink of a sunbeam, just out of the corner of my eye. I mustn’t, but I turn around and you’re gone.
All the musical references are Polish…The rather oblique one is the shape of the start from this Chopin nocturne, very loosely.
sad soundtrack strings, still very much in this kind of style but improved from earlier~ ‘ending’ because it sounds like the end sequence of a TV series ooor something, what do you think?
Extra-specially unabashedly pretty, feat. piano, obviously; referencing obliquely the 2005 Pride and Prejudice score, and, more definitely, Beethoven Emperor movement 2.
All day long I have been working, Now I am tired I call: “Where are you?” But there is only the oak-tree rustling in the wind. The house is very quiet, The sun shines in on your books, On your scissors and thimble just put down, But you are not there. Suddenly I am lonely: Where are you? I go about searching.
Then I see you, Standing under a spire of pale blue larkspur, With a basket of roses on your arm. You are cool, like silver, And you smile. I think the Canterbury bells are playing little tunes.
You tell me that the peonies need spraying, That the columbines have overrun all bounds, That the pyrus japonica should be cut back and rounded. You tell me all these things. But I look at you, heart of silver, White heart-flame of polished silver, Burning beneath the blue steeples of the larkspur, And I long to kneel instantly at your feet, While all about us peal the loud, sweet, Te Deums of the Canterbury bells.
Madonna of the Evening Flowers (Amy Lowell)
~draft~
I’m not really a soprano! but I love this poem, and Amy Lowell.