Welcome to the blog. This is more of a fun relaxed place where I can post music as we go along, including sketches, doodles and works in progress. Updated regularly. Feel free to leave me a comment, or visit me on youtube.
Author Archives: sara-garrard
music for a spring evening
Piano Solo |6 pieces | Difficulty: moderate/not difficult
pdf containing six pieces from wide the starry sky and One hundred sparrows, as performed in May 2020 at home accompanied by birdsong.
Contents:
- Sarabande
- Dream Journey
- Sleepy Cloud Dragon
- Garden Seat
- A hundred sparrows
- Prélude
INFINITY CRYSTAL Complete Soundtrack for Piano [Free dowload]
Piano | 62 pages, 22 pieces | Difficulty: Moderate
Piano music tie-in for my passion project, INFINITY CRYSTAL: AWAKENING.
22 pieces in a game music style, transcribed for piano.
‘Twas in the Moon of Wintertime (The Huron Carol)
[ Buy and download on SMP Press ]
SATB | Duration: 2m45 | Difficulty: Easier-Moderate
An arrangement of what is traditionally thought to be the oldest Canadian Christmas song. Starts quiet, small and atmospheric and builds up, with a yearning, modal harmonisation of the chorus ‘Jesus your king is born’. This would work very well for any Christmas service or concert. We have enjoyed singing it in Sing Clifton!
Claude [Free download]
Anime Nocturne [Free download]
An indulgent short piano piece in the style of an anime soundtrack piece in the style of a Chopin nocturne?
Duration: 1m30
Difficulty: Intermediate
2018
Listen / download at Musescore.com
or here:

Women called poets and women called blades
Flowing, gently irregular, as if barely containing great passion.
Duration: 1m50
2019
[ Buy digital download on SMP ]
Something a little filmic. I was indeed quite inspired by Michael Nyman ‘The Piano’ score.
Come Again, Sweet Love Doth Now Invite
“Come again, sweet love doth now invite” is a song with music John Dowland, anonymous lyrics. This is not that song. That is a great song though–very over the top sad and also very cute and catchy! This is music I wrote for those same lyrics.
Come again!
Sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.Come again!
That I may cease to mourn
Through thy unkind disdain;
For now left and forlorn
I sit, I sigh, I weep, I faint, I die
In deadly pain and endless misery.All the night
My sleeps are full of dreams,
My eyes are full of streams.
My heart takes no delight
Her smiles, my springs that makes my joys to grow,
Her frowns the Winters of my woe.Out alas,
My faith is ever true,
Yet will she never rue
Nor yield me any grace;
Her eyes of fire, her heart of flint is made,
Whom neither tears nor truth may once persuade.
The first of a bit of a project of setting old/Elizabethan era lyrics/poetry to music…
Dowland, and others of the era, but Dowland was RENOWNED for it, wrote such enjoyably, beautifully, over-the-top melancholy tragic songs. This was super trendy and they were really POPULAR.
So, if there’s a concept here, it’s that I’m setting the words with the same kind of melancholy and sincerity despite their excessiveness, but in a more modern folk-pop-idk idiom, a sort of parallel.
‘Home Away From Home’ (FFVII Remake) oboe and piano
I did a quick transcription of another pretty piece from the Final Fantasy VII remake. This piece is by Takafumi Imamura, using themes by Nobuo Uematsu from the original game (Main Theme and Holding Thoughts In My Heart). And I played it on piano and oboe 🙂
Home away from home (in Bb) score on musescore