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PIANOWRIMO 2026 Week 1 roundup

It’s November! You know what that means (or if not, the title of the post should help.)

SOMEWHAT INCREDIBLY, this is the 10th year since I started doing Pianowrimos back in 2017…

Day 1: girl dancing with the moon

written after I went to a birthday party dressed as a sky full of hot air balloons, which reminded me of this bit from one of my old favourite books, The Man Who Was Thursday:

“They were led out of another broad and low gateway into a very large old English garden, full of torches and bonfires, by the broken light of which a vast carnival of people were dancing in motley dress. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon … One dancer dressed like an enormous hornbill, with a beak twice as big as himself. There was a dancing lamp‑post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. … Every couple dancing seemed a separate romance; it might be a fairy dancing with a pillar‑box, or a peasant girl dancing with the moon; but in each case it was, somehow, as absurd as Alice in Wonderland, yet as grave and kind as a love story.”

click through for days 2-7….

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Hildegard Texts performed by Orange County Women’s Chorus

The Orange County Women’s Chorus got in touch about a performance of two of my Four Hildegard Texts, one of which you can now watch / listen to below:

This was performed as part of their concert program, The Sisterhood of Cecilia, which began with music by Hildegard herself.

Thank you! A beautiful performance.

Mythicland Trailer

Aha! The trailer for Mythicland is now up on youtube. I did the music and sound effects for this last year:

I’ve been busy working on something again lately which hopefully I’ll be able to share soon — why I’ve been kind of inactive on here. I have snuck in some time for some more Crisis Core demakes though, and a music box, over on youtube.

Happy new year everyone!

December Updates

A quick blog entry to recap what I can remember that I forgotten to recap…
Various things that should be coming up soon-ish include:

  1. This year’s PIANOWRIMO album finalised for Bandcamp and streaming etc
  2. Ditto the sheet music (Related to that, I was very excited by all the new look niceness of Musescore 4 … only to realise my operating system is just too far behind to run it 😭)
  3. More FFVII Demakes redone with not strictly soundfont sounds for Spotify etc … and possibly some more new Crisis Core related ones, it being the season.
  4. I’ve done a “year in review” type video the past couple years, and it’d be nice to get one of those done before or around new year — time permitting!

Things that have been happening recently:

  1. This year’s Sing Clifton Christmas concert! Including a first performance of my Christmas piece O Night Restful and Deep
  2. I have been working on another game music & sound design job that I can’t share any of currently but will be keeping me nicely busy for a while now. I’ve also been doing more teaching, with more school age piano students at a school and a gratifying influx of adults realising their dream to play the oboe outside of that!
  3. This wonderful performance of Four Hildegard Texts by Peter Anthony Smith and the Sydney Sydney Conservatorium Clarinet Ensemble:

Cloud Smiles (FFVII Advent Children) – oboe and piano

The last thing I filmed before Christmas, this gorgeous piece from the end of the Advent Children movie, by Nobuo Uematsu. I watched Advent Children last Christmas Eve, for the first time since it came out (and in the Complete version which I guess I hadn’t seen) and honestly loved it this time round. Also felt like I’d been missing out on the soundtrack all these years. I’ve made a ff7 soundfont version, a music box version, and now…

The first melody is on the oboe in the full orchestral version too so I wanted to see how an oboe and piano take would sound.

I had to practise that piano part quite a bit!! (And even then don’t expect me to ever manage it live.) And the oboe, phew, a lot of sustaining needed.